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 Edited by Donna Lee Brien and Philip Neilsen ISSN 1444-2817 
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Yellow Dreams
Geoffrey Gates

   
 
  I see Angela on Wednesday afternoons. I always think that the hour will be our last together. This would be something of a relief, because she makes little progress with her Spanish and antagonises my sleep.
  1  
  Before she arrives, I sit at my piano by the window. It is a baby grand, my one piece of inheritance from a collection of dead aunts. I tinkle the keys and tell myself I admire the view, but really I wait for the arrival of her bus.
  2  
  By the time Angela rings the doorbell, I am on the stairwell. The last chord is still reverberating upstairs. In a moment, I am helping her out of her coat. I shiver to see how her yellow hair spills out of the hood.
  3  
  'Have you done your exercises?' I ask her in Spanish, when we are settled in my apartment. She takes out her notes and nods her head. 'Si,' she says. After a pause she adds her usual foot-note: 'pero, huce mucho difici.' The grammar is hers, not mine.
  4  
  I sit there, half-paying attention to what she is saying, wondering if I might ask her out. We could walk across the park and eat in the Thai restaurant, or share a pint together in The Dragon. It would be quite acceptable, I think, perhaps even expected of a foreign language teacher. But near us, on the piano, sits a picture of Ann. And Ann is, well, my Ann. Whereas Angela is my student. She is in her first year at university - a sunflower in a black clothes. When I correct her work, she leans slightly against me and begins to talk in her native tongue, 'I had a dream last night. You know that writing is one of my hobbies? Well, I have a yellow notepad. I use this pad to write down story ideas. I have been doing it all year, perhaps once or twice a week, just a sentence, sometimes a few paragraphs.'
  5  
  She pauses, and I look up at her. Her eyes are so blue, they shock, even in the light of a late Autumn afternoon. I look back at her Spanish, and she continues, 'In my dream, I am searching for my yellow writing pad. I have thought of something - part of a story - and it is elusive. I want to write it down as quickly as I can. Still in my dream, I get up out of bed to look for it. I open the door to the lounge room, and I see that it is absolutely crowded with yellow pads! I pick one up. It is full of writing, but it is somebody else's work. I pick up another one, and then another, and it is the same. I am filled with panic. And then, of course, I wake up.'
  6  
Volume Four 
Issue One: August 2003
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