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 Edited by Donna Lee Brien (general), Philip Neilsen (poetry), and Axel Bruns (hypermedia and Webmaster) ISSN 1444-2817 
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   28 Jan. 2001

And It Could Have Really Happened: 'Edward Britton'
Donna Lee Brien

   
 
  Gary Crew and Philip Neilsen. Edward Britton. Lothian, 2000.      
 
It is not an easy matter to review books by people you know. Aside from the ethical considerations there is a minefield of dangerous personal and emotional territory to navigate. I thus begin writing about Edward Britton by acknowledging that both the authors, Gary Crew and Philip Neilsen, are friends and colleagues. Despite my professional and personal connections to the authors I did, however, come to this novel with little insider knowledge of the actual text other than its setting and some of the research the authors undertook. I did want to like the book, but I almost always begin reading fiction in this spirit, and soon was embroiled in the story and hearing not the voices of those I knew, but those of the characters they have created.
  1  
  The eponymous Edward Britton is a seventeen year old actor, falsely accused of the theft of costumes from his employer and transported to Point Puer boys' prison at Port Arthur in the 1840s. Britton is tall, comely and educated, but is not spared (nor is the reader) the violence and real hardships the boy convicts suffered. The other main character, Izod Wolfe, an Irish boy, is fired with hatred and the desire for revenge against the brutal prison governor, Buckridge, who caused the death of every member of his large family in Ireland. Where Britton could be seen as light and enlightenment and Wolfe darkness and misery, each of the two teenagers is given a more complex character and motivation than these oppositional traits. Romantic interest is provided in Susan, Buckridge's daughter, but she is no stereotyped wilting English rose, and articulates a voice of assertive humanity against the sadism which pervades the settlement.   2  
  The surgeon, Patterson, is a further foil to this pervasive culture of brutality, treating the boys after they are beaten, providing commentary on class and ambition, and giving the authors a number of wonderfully vivid opportunities to comment on the medical practices of the day. These include the therapeutic uses of arsenic and a truly harrowing scene of amputation (thankfully with the help of the newly discovered ether).   3  
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