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   30 Oct. 2001

Immediately Engaging: 'True History of the Kelly Gang' by Peter Carey
Donna Lee Brien

   
 
  True History of the Kelly Gang by Peter Carey. University of Queensland Press, 2000.       
 
  Peter Carey won this year's prestigious Commonwealth Writers Prize with his internationally acclaimed novel, True History of the Kelly Gang, described by the chairman of the judging panel as 'the ultimate Australian story'. This was Carey's second Commonwealth Prize, the first being for Jack Maggs, which also won the author his third Miles Franklin Award. To 30 Oct. 2001, Carey has won every major literary award in Australia, as well as the Booker Prize for Oscar and Lucinda. In August this year it was announced that True History had also made the so-called 'longlist' of twenty-four works for this year's Booker Prize will be announced in October.
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  Published in October 2000, Carey's seventh novel quickly became one of the hits of the international publishing season, attracting admiring reviews in the literary press and significant sales across the English-speaking world. Carey was profiled in general publications from Entertainment Weekly to the Village Voice and Fortune, and in the many interviews he gave Carey seemed particularly proud of True History. The background information needed by American and British provided Carey with an opportunity to muse at some length on Kelly's place in Australian imagination and identity-formation. 'Kelly's far more to us than a Jesse James', Carey told a reporter for Maclean's, 'He's more like our Thomas Jefferson'. He also revealed that he celebrated Kelly in his downfall, identifying this, somewhat surprisingly for Americans obsessed with winning and winners, as an Australian trait. 'We like the defeats', Carey told the American press. 'We like the follies, the failures, the losses. These are the things that tell us who we really are.'
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  In True History of the Kelly Gang Carey has written the document Kelly biographers dream of, a lengthy first-person life-history narrative. Published as thirteen 'parcels' of text, each prefaced with the cataloguing information an archival librarian would attach to such manuscripts, the memoir is supposedly written for Kelly's infant daughter so she might 'finally comprehend the injustice we poor Irish suffered'. According to this conceit, Kelly has learned that his lover Mary has, with money he sends her from one of his robberies, escaped to San Francisco, where she gives birth to their daughter. If he dies, Kelly wants his daughter to know his story, the whole of which is framed by a prologue and last two chapters which recount Kelly's capture and hanging.
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