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   11 Aug. 2000

Frailty, Resilience and Loss: 'Thursday's Child', by Sonya Hartnett
Rosemary Williamson

   
 
  Sonya Hartnett. Thursday's Child. Penguin, 2000. RRP: $A19.95.      
  Within many families a seam of oddness lies beneath the surface of respectability. Sometimes it can be hidden by the convenience of distance or the past. But occasionally the oddness is so extreme that it is not easily suppressed, and gains such momentum from its surroundings that a family is swept along in its path, and has little choice but to accept and adapt.
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  Such is the tale of the young enigmatic boy Tin Flute, the eternal wanderer of Thursday's Child. Set in an anonymous part of rural Australia during the Great Depression, the novel covers some six years of Tin's childhood as remembered by his elder sister Harper. The silent and elusive Tin, who was "born to burrow", is compelled to dig a maze of tunnels beneath the desolate poverty of life above ground. In doing so he plays an important part in the vicissitudes of the Flute family in those grim times, and to Harper's gradual awakening to the mysteries of the adult world. In this sense the story is about Harper herself, with Tin's tunnelling and eventual transformation into rural legend providing a counterpoint to her journey through and departure from childhood.
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