dotlit - The Online Journal of Creative Writing The Online Journal
of Creative Writing

 Edited by Donna Lee Brien (general), Philip Neilsen (poetry), and Axel Bruns (hypermedia and Webmaster) ISSN 1444-2817 
  ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... .....
 
Contents
Commissioned Works
Poetry
Prose
Creative Nonfiction
Hypermedia
Reviews
News
About
Archives
People
Contacts
Responses
Links

 

  ........... ........... ........        
  8 Aug. 2001

'*Water Always Writes in *Plural' by Linda Carroli and Josephine Wilson
Michelle Howe

   
 
  *Water Always Writes in *Plural, Linda Carroli and Josephine Wilson (hypertext)
http://ensemble.va.com.au/water/intro.html


 
 

As technology changes almost everything in our lives at a head-spinning pace, reading seemed to be one of the last bastions of a world rapidly disappearing. With the burgeoning of hypertext fiction and 'the tantalizing new possibility of laying a story out spatially instead of linearly, inviting the reader to explore it as one might explore one's memory or wander a many-pathed geographical terrain' (Coover, 2000: 2), reading books may soon be an old-fashioned pastime.

  1  
  One award-winning example of these 'adventurous quests at the edge of a new literary frontier', as Coover (2000: 2) calls them, is *Water Always Writes in *Plural, written in 1997 by a Brisbane-based writer, Linda Carroli, and a Perth-based writer, Josephine Wilson. The Australian Network for Art and Technology commissioned the writers as a joint initiative with the Adelaide-based Electronic Writing and Research Ensemble, and the result is an ambitious and far-reaching work that is reflective and circular in both its content and structure.   2  
  'Hypertext is essentially a network of links between words, ideas and sources, one that has neither a centre nor an end' (Snyder, 1997: 127). Structurally this is especially true of *Water Always Writes in *Plural. Every path except one leads back to the beginning lexia that consists of the words, 'A woman stands on a street corner waiting for a stranger', and thus there is no centre or end to the story. The content dictates this structure and, as such, it is meaningful and does not hinder or frustrate the reader traversing the work.   3  
Volume One 

Issue One: Month 2000
Back
1
  Forward
   
 
top index | author's bio | download this work © 2001